overlaylink

The Power of Plain Text: Screenwriting with Freewrite & Highland Pro

Daniel Sauvé-Rogan
April 15, 2026 | 4 min read

The Flow State has been elevated to near-mythic status among writers because every writer knows the joys of a great writing session and the doldrums of a bad one. But the flow state isn't magic. It's what can happen when your tools get out of the way. Distraction-free hardware like Freewrite helps strip away everything competing for your attention, giving you a single-purpose solution designed for one thing: getting words on the page.

But the screenplay format is exacting and regimented. It can intimidate new writers and old pros alike because at some point all of your wonderful ideas need to be transformed into sluglines and action lines and dialogue.

Enter Highland Pro: a screenwriting tool built by writers, for writers, that offers a clean, distraction-free platform that interfaces seamlessly with Freewrite to transform your writing into professionally formatted screenplays.

That's why Highland Pro and Freewrite have partnered for a special distraction-free screenwriting bundle.

The Big Screen Bundle

5% off a Freewrite Alpha, Traveler, or Smart Typewriter
+
33% off a year's subscription to Highland Pro with 1-month free trial.

Use code SCREENPLAY26   at checkout on the Freewrite website to get your discount, and you'll receive an email with your link to download Highland Pro.

But how does any of this actually work? Let's dive in.

The Freewrite & Highland Pro Workflow

Freewrite supports the use of Fountain, a simple markup syntax for writing screenplays in plain text that makes screenwriting as simple and straightforward as writing an email. If you're already using Freewrite to write screenplays, you'll be familiar with Fountain. If not, don't worry! We'll cover everything you need to know to get you started.

Writing with Freewrite and Highland Pro works like using Freewrite with any major word processor. However you like to work, you draft on Freewrite in a completely distraction-free environment.

Maybe you write your entire first draft on Freewrite, for specific scenes you can't crack, or for broader work like outlines and beat sheets.

Then, you move your document into Highland Pro to format, edit, and share your screenplay for feedback.

Transforming your writing into a screenplay is simple:

  • Write using Fountain Syntax on Freewrite
  • Export your document from Postbox as a .txt file
  • Open your .txt file with Highland Pro

Congratulations! You now have a fully formatted screenplay.

Fountain Basics for Screenwriting

Fountain is a simple markup syntax for writing, editing and sharing screenplays in plain, human-readable text. Fountain allows you to write screenplays in any text editor on any device. Because it’s just text, it’s portable and future-proof.

Fountain was developed by a number of screenwriters led by John August to create a tailored, plain-text way to write screenplays. The goal was to make writing a screenplay as simple and unobtrusive as writing an email.

You only need to master five basic elements to get started writing screenplays with Freewrite:

  • Scene Headers: Start with INT. or EXT. followed by location and time of day (e.g. INT. OFFICE BUILDING - DAY).
  • Character Cues: Write character names in UPPERCASE (e.g. "JOHN").
  • Parentheticals: Are wrapped in parenthesis following a Character Cue (e.g. "(sarcastic)").
  • Dialogue: Any text that follows a Character Cue or Parenthetical. Dual Dialogue can be expressed by adding a caret ^ after the second Character element.
  • Action Lines: Are simply lines of plain text without markup that triggers any other element styling.

These are just the abcs of Fountain to get you started. You can learn more about Fountain Syntax here, or within the Highland Pro toolbar (Help > Cheat Sheet) for the full glossary of element styles.

How to Write a Scene

Now that you're armed with the basics of Fountain, you can write full scenes on your Freewrite that will be automatically formatted into standard screenplay format when opened with Highland Pro.

Typing out a scene on Freewrite might look like this:

Excerpt from Big Fish by John August

Which automatically transforms in Highland Pro:

It's that easy.

How to Write an Outline

Of course, not every writing session is about drafting scenes. Sometimes, the work is about figuring out what those scenes should be in the first place.

Fountain Syntax has elements designed to help you build outlines:

  • Headings: Start with # (e.g. #act 1).
  • Subheadings: Start with two ## and decrease in size to six ###### to give structure to your outlines.
  • Synopses:  Start with = (e.g. =this scene is the initial call to adventure for our hero).
  • Page Breaks: Are created with three equal signs (e.g. ===)

These automatically populate the Navigator sidebar in Highland Pro which helps you organize the macro elements of your screenplay as you fill in the details later. You can also continue to edit your outline in Highland Pro alongside your scenes. By default, Highland Pro hides outlining elements when you export a PDF or print.

An outline on Freewrite might look like this:

While the Highland version looks like this:

All of these aspects of Fountain are basic functions. They can be used simply and intuitively, or they can be chained together to create structures of surprising complexity.

Regardless of how you utilize them during your drafting process on Freewrite, they will automatically transfer into Highland Pro as fully formatted elements.

How to Import into Highland

Once you're ready to move your work from Freewrite to Highland, all you need to do is sync your draft with Postbox, log in, and download the .txt file.

Then open it in Highland Pro:

Specialized Tools for a Specialized Profession

Every writer is different, and we’re all chasing that elusive flow state. There may not be a perfect solution, but there are more tools now than ever to help you develop your ideal workflow.

Now is the best time in the industry for writers searching for screenwriting software that actually speaks to their creative process. For me, Highland Pro works the way my brain works and that makes it absolutely invaluable for my screenwriting. It helps me organize the messy scaffolding of breaking and outlining a script so that I can focus on writing.

Combined with Freewrite, you can take it a step further and truly disconnect from the endless feeds of competing distractions we face every day.

Screenwriting software should be about more than fulfilling the needs of your production team. They are the domain of the writer.

And we believe writers deserve nice things.

Learn More about Highland Pro from acclaimed screenwriter and novelist, John August, founder and CEO of Highland Pro:

 

August 26, 2026 5 min read

Freewriter Mike Somerby left a lucrative marketing career in e-commerce to start a print-only literary magazine by and for Montanans. Yes, you read that right.

We sat down with Mike to find out how ... and why.

Mike Somerby identifies as a writer — with some reservation.

"I think all who write are 'writers,'" he says, "even if the writing itself amounts to a simple letter to a friend or a personal journal entry."

We couldn't agree more. And we're thrilled that this particular writer writes his essays on Freewrite. Maybe that's why we felt comfortable asking him:

What inspires a professional brand marketer to leave his 9-5 and jump feet-first into the literary world of Bozeman, Montana?

Luckily, he was happy to tell us.

AC: Before we get into the lit mag, it actually isn't your first foray into the literary community, right?

MS: For about ten years — the lion's share of my professional chapter — I worked, in some capacity, as a brand marketer. Last spring, while enduring a particularly grueling stint as CMO for a Montanan e-commerce brand (yes, those exist), I found myself revisited by the remarks of an old journalism school professor: from his perspective, journalism students who apply their storytelling talents toward PR and marketing have crossed over to "the dark side."

While I find this a touch heavy-handed, I get the point, and I believe his notion resurfaced to meet the moment: we live in a world sorely hurting for analog (human) creativity and high-quality longform.

So I quit, traveled west with my dog in a 1986 U-Haul I'd converted into a camper, and plotted.

Step one: I founded Pulphead, a lounge (named after John Jeremiah Sullivan’s seminal 2011 essay collection) where Bozeman writers commune and grind out their prose until 2 a.m. Entry is a flat $5, which comes with unlimited drip coffee and tea.

Step two: leverage the Pulphead regulars and its online following to secure contributors for my new literary magazine, ANEMONE. Thus far, everything is going to plan.

We live in a world sorely hurting for analog (human) creativity and high-quality longform.

AC: Why do you think it's so important to create and preserve these spaces for authentic writing?

MS: Writing is a solitary act. Nonetheless, younger generations, in particular, struggle to forge IRL community in the way older generations might understand as an ordinary facet of being human.

By building a space that is as homey as it is supportive of their literary interests, we’re not only helping these individuals find their birds of a feather, but also providing them with a dojo that mandates setting aside blocks of time away from phones, home lives, and the other distractions. Win-win?

Incidentally, Livingston boasts the highest per-capita concentration of professional writers anywhere in the country. Couple this with another statistic — that Montana has more bookstores per capita than any other state — and it becomes clear southwest Montana is as fertile a place as any to invest in literature and its related industries.


AC: That's so interesting. What have you learned from being in community with creatives in Bozeman?

MS: In terms of writing, I've learned plenty. What has excited me most, however, is what I’ve learned from a small group of Indigenous women who come to the shop to write poetry and make beaded clothing in the traditions of their respective tribes (most notably, Crow, Cheyenne, Shoshone).

This is a group I’d otherwise have limited opportunity to engage with outside of Pulphead, and learning about their traditions, beliefs, hopes — even a little vocabulary — through firsthand conversation has proved incredibly edifying.

AC: And you mentioned you've seen Freewrites pop up in Pulphead. You use one, right?

MS: Yes. About seven years ago, not long after moving to Montana from New York, I purchased an Olivetti Lettera 32 typewriter from eBay. It appeared that a romanticizing of my newfound remoteness had rekindled my interest in writing.

I loved the mechanical feel and distraction-free interface, but the inability to edit line by line proved a notable annoyance for a mind habituated to modern computers. A few years down the road, some digging for alternatives led me to a blog post about smart/electronic typewriters. Voilà.

I purchased a Freewrite Gen3 Smart Typewriter, and I've been hooked ever since.

AC: That's awesome. So tell us about ANEMONE. What is it?

MS: ANEMONE is a print-only magazine (printed in a traditional broadsheet newspaper format). As for for theme, broadly, the world as told by Montanans. Short fiction, creative nonfiction, poetry, reportage, photography, and visiual illustrations comprise the submission categories.

AC: Print-only!

MS: Print is only dying because we let it.

AC: Is there a story about the name?

MS: Most people know the word anemone to describe a family of flowers — a 200-plus-species family of buttercups, comprising varieties both wild and domesticated. Dubbed “windflowers,” their delicate petals are said to blow open in the breeze; the ancient Greek word anemos means “wind.” I was drawn to the metaphorical value of beauty and how it can be revealed to us through an invisible force.

To add another layer, when I was a boy my father and I would spend weekends at the beaches north of San Francisco, where I was born and raised until I was seven. We would study the massive turqoise, kelly green, and purple sea anemones clinging to rocks left exposed by the receding Pacific tides (as to why, I can't say, outside of them looking funny, almost alien). A good memory.

Finally, “Anemone” is the name of an exquisite song by The Brian Jonestown Massacre, an irreverent and controversial rock band led by Anton Newcombe, an obsessive creative who rejects the surrender of culture and art to commercial interests. The track has a hold on me. It's like a portal to another era.

AC: Why do you think this sort of analog creativity is important?

MS:  I'm told the unending deluge of digital interface is leaving humans less and less capable of “deep work.” Will we ever know the difference?

Will we recognize what a society incapable of deep work looks like compared with those that came before it? Or will the transition manifest as a gradual degradation of quality, much as Coca-Cola was slowly, but surely, divorced from real sugar, such that to taste what Coke used to be like, one must order a Mexican Coke, still made with real cane sugar?

For me, analog perspective (and any creativity wrung from it) is rooted in continuity, tangibility, lived experience, slowness, spatial relation, nuance, emphasis on process, and grace for imperfection — antithetical to one of replicability, speed, binary outcomes, predictability, and optimization.

I prefer the former, and I suspect those who prefer the latter don't read or write much — life is a beautiful, taxing mess, and good writers find merit in this duality.

For me, analog perspective (and any creativity wrung from it) is rooted in continuity, tangibility, lived experience, slowness, spatial relation, nuance, emphasis on process, and grace for imperfection — antithetical to one of replicability, speed, binary outcomes, predictability, and optimization.

AC: Who is invited to submit to ANEMONE?

MS: We do limit submissions to Montanans, past and present, though we will feature writers from other states should the content of their writing bear an obvious relation to Montana — a requirement not imposed on Montanan writers.

All information regarding submissions can be found at www.anemonereview.com, along with all other facets of the magazine.

August 26, 2026 1 min read

Love the Freewrite 500? Here are 3 more writing contests for competitive short fiction writers.

1) Writers' Hour Magazine Prompts

The London Writer's Salon (a global writing group — no London residence necessary!) regularly host a writing contest via their Writers' Hour Magazine. Want to know a secret? Their September theme is all about freewriting.

Join them for a free workshop, Introduction to Freewriting, on Thursday, September 3, and get all the details about the contest.

The winner of the contest will win something Freewrite-shaped. 👀

2) NYC Midnight Challenges

This organization (again, no affiliation with NYC necessary) regularly hosts short story contests. Their next challenge is all about writing a rhyming story.

Learn more and register here.

Note: NYC Midnight writing contests generally have a fee to enter.

3) Henshaw Press Short Story Competition

This short story competition is open to anyone over age 16. And the best part? There is a cash prize, and profits go to charity.

Learn more here.

July 30, 2026 2 min read

PRESENTED IN COLLABORATION WITH

Calling all micro-fiction storytellers! 🏁

For the second year in a row, Freewrite is teaming up with Grant Faulkner, co-founder of the Flash Fiction Institute and author of The Art of Brevity, to bring you the fastest, most adrenaline-pumping writing event of the year.

Whether you're a seasoned writer or a creative rookie, the Freewrite 500 is your chance to rev up your imagination, write a 500-word story, and win big.

You do not need to own a Freewrite to participate.

[REGISTRATION CLOSED]

 

How It Works

🎟️ Fill out the form above to secure your spot. It's totally free. (You must register to participate.)

📖 Watch the free mini flash fiction lesson by Grant Faulkner, which includes the announcement of the prompt for the contest. WATCH IT HERE.

📝 You'll have the weekend to finish and submit your 500-word storybased on the prompt by end of day on Monday, August 17. Entries must be 500 words or less. The entry form is plain text. Any necessary formatting should be noted in [brackets]. [SUBMISSIONS CLOSED]

✏️ Our judging panel, led by Faulkner and made up of writers from the Freewrite team and the Flash Fiction Institute, will judge each piece based on: length (500 words), relevance to the prompt, and creativity.

🥇 NEW THIS YEAR: The panel will select three finalists, and then announce one grand prize winner.

All work must be submitted by 11:59 p.m. ET on Monday, August 17, 2026.

The Prize Pack

One winner will receive:

  • Publication on the Freewrite blog and Flash Fiction Institute blog
  • 1 Freewrite Traveler
  • 1 hour-long one-on-one coaching session with Grant Faulkner
  • 1 free Flash Gym session with the Flash Fiction Institute
  • 1 Words Are Hard prompt deck
  • A paperback copy of Set Your Story Free, the ultimate guide to freewriting
  • A digital copy of the opening chapter of Grant Faulkner's book, The Art of Brevity

Second and third place writers will each receive:

  • Publication on the Freewrite blog and Flash Fiction Institute blog
  • 1 Freewrite Alpha
  • 1 free Flash Gym session with the Flash Fiction Institute
  • Words Are Hard prompt deck
  • A paperback copy of Set Your Story Free, the ultimate guide to freewriting
  • A digital copy of the opening chapter of Grant Faulkner's book, The Art of Brevity

The Schedule

  • Thursday, Aug 13: Lesson & prompt announcement
  • Monday, Aug 17: Submissions deadline
  • Monday, Aug 31: Finalists announced
  • Monday, September 7: Grand prize winner announced

Questions? You can reach us at hello@getfreewrite.com.

Write on.

The Freewrite 500 Pit Crew 🏁 

Full contest terms and conditions